These stories of objects, love, heartbreak, art, and death find a lovely balance of vulnerability, playfulness, honesty, and strength. Her work often incorporates elements of voyeurism, surveillance, and personal narrative to explore the nature of love, intimacy, violence and death. By The New Yorke r. October 8, 2012. 1 / 9. Jul 2, 2017, By Mary Kaye Schilling / Landmarks, the public art program of The University of Texas at Austin, exhibited Double-Blind (1992) and archived an essay dedicated to Calle and her work on their website. Inside I find several plastic bags filled with medications and a book, Venise et ses trésors d'art." In 2019 she was the recipient of the Royal Photographic Society's Centenary Medal and Honorary Fellowship. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her work often incorporates elements of voyeurism, surveillance, and personal narrative to explore the nature of love, intimacy, violence and death. My work became art the day it was shown on the wall. Time Out London / Reading and making notes on Sophie Calle’s new publication, I am trying to be attentive, but am distracted with loneliness. 2008.Disko.Bay / I think I have an ability because I believe in the construction of the idea. The Hotel features a series of twenty-one diptychs comprising photographs and text on paper. The work also showcases the way Calle co-opted the world of literature and more specifically fiction, as a tool to create art. Sophie Calle: “Because” @ Fraenkel Gallery through March 21, 2020. So I asked my mother to hire a private detective to follow me, without him knowing that I had arranged it, and to provide photographic evidence of my existence.". For the pleasure of following them, not because they particularly interested me. The New York Times Style Magazine / Sophie Calle a été décrite comme une artiste conceptuelle, une photographe, une réalisatrice de film et même une détective. Sep 23, 2009, By Eva Wiseman / The physical evidence of the actions becomes the "artwork" - usually documentary photographs and explanatory texts presented with a coolly detached analyst's eye. Following the rules of others is restful. As if to further complicate the history of this of this piece, graffiti artists broke into the gallery in the Bronx the night before the exhibition opened, and tagged the gallery, adding another layer to the series, which now resides (and still bearing the graffiti marks) in the permanent collection of the Bronx Museum. Whether presenting the lives of strangers or her own, Calle's oeuvre is marked by a confessional-like manipulation, seducing the viewer to become complicit in the very act of watching or participating. Unlike her detective-style work with strangers, this piece showcased the artist's equally passionate impetus to enroll people into her projects in a similarly anthropological way that would allow for an expression of human commonality in shared experiences. The stream of consciousness writing and photography of Suite Vénitienne adds to the obscurity of its premise, prompting more questions than it answers, an ambiguous stance that is key to much of Sophie Calle's work. The Paris Review / Sophie Calle: Did you see me? About the author: Northern California native Max Blue is a writer of criticism, fiction and poetry. In the upper piece, the color photograph shows a bed and headboard which elicit the faded grandeur of Venice, the carved wood, modestly patterned wallpaper, and sober yet satin bedcovers suggestive of the nostalgic time-worn wanderlust and romanticism that continue to draw countless visitors to the city. ", "I used to talk to women at the market and one of them came over to sleep in my bed. These stories of objects, love, heartbreak, art, and death find a lovely balance of vulnerability, playfulness, honesty, and strength. Sophie Calle’s art mixes image and text to provoke the kind of intense emotional response usually inspired by epic literature or film. I decided to follow him." Much of Calle's work is comprised of actions, sometimes taking extended periods of time to enact, absorb, and analyze. The work also showcases the way Calle co-opted the world of literature and more specifically fiction, as a tool to create art. The artist writes: "For months I followed strangers on the street. I read an earlier book by the artist Sophie Calle earlier this year and was underwhelmed by the writing. Variously described as a conceptual artist, a photographer, a movie director, and even a detective, she has developed a practice that is instantly recognizable for its distinct narrative elements and frequent combination of images with text. The artist's observations dated over three days, record details of the unseen hotel guests: their belongings, their activities, and their correspondence. This oftentimes conjures reflection surrounding absence, presence, longing, hope, and other primal emotions. Sophie Calle was born into an intellectual and creative household in 1953 Paris, where she experienced an unconventional childhood. The stream of consciousness writing and photography of Suite Vénitienne adds to the obscurity of its premise, prompting more questions than it answers, an ambiguous stance that is key to much of Sophie Calle's work. Her work frequently depicts human vulnerability, and examines identity and intimacy. Sophie Calle’s art mixes image and text to provoke the kind of intense emotional response usually inspired by epic literature or film. This pointed study of strangers and herself would inject a "confessional" vein into the world of Conceptual art, in which personal lives and their ephemera were considered worthy fodder for exploration. - Did You See Me? This book, however, is a master class in small personal vignettes. Her work frequently depicts human vulnerability, and examines identity and intimacy. Abstract. Her mother, Monique Sindler, was a book critic and press attaché, later described by Calle as "the wildest mother, who was always center stage." During the course of our conversation, he told me he was planning an imminent trip to Venice. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. In, "These works had involved me so much in the act of following that I wanted, in a certain way, to reverse these relationships. Mar 4, 2017, By Sophie Calle / The French artist asked 107 women to analyse the letter according to their professional interest. In 2017 she was shortlisted for the Deutsche Börse Photography Prize for her publication My All (Actes Sud, 2016). She has lectured at the University of California, San Diego in the Visual Arts Department. This "voice of the people" type of art would go on to influence later artists like the French JR, who pastes massive-scale images of townspeople onto the buildings and structures of their community to give an intimate glimpse of its unique personality and concerns. The Guardian / Apr 10, 2017, By Timothée Chaillou / Her oncologist father, Robert Calle, was a renowned art collector and former director of the Nimes' Carré d'Art, a contemporary art museum. For this work, Sophie Calle's destination moved from the romance of Venice to the economically depressed streets of New York's South Bronx. In the late 1970s, finding herself at loose ends in Paris, she started playing games with unwitting strangers. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. All Rights Reserved |. It is a prime example of her contribution to Conceptual art with her mode of taking a nominal proposition and carrying it out through the production of a work. Sophie Calle (born 9 October 1953) is a French writer, photographer, installation artist, and conceptual artist. [Internet]. The choice is made for you. Many of her works juxtapose writing and photography to question […] "Sophie Calle Artist Overview and Analysis". They take you to their restaurant. The work also showcases the way Calle co-opted the world of literature and more specifically fiction, as a tool to create art. ", "I like being in control and I like losing control. Suddenly, I found myself showing at the Museum of Modern Art. The photographs are each accompanied by a text written by the artist.
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