The Neumann KM84 was developed in the 1960s, and is a SDC mic with a warm, natural, and detailed sound. This shootout features 3 microphones that are tied together by history. We've used all of these mics in a variety of applications all over the studio, so we knew we … The standouts for me were the MXL V67N ($129) the Naiant X-M omni with transformer option ($70) and the surprising AT4021 ($250). After all, I got to listen to 84 SDCs in five months. SDC Microphone Shootout: CharterOak M900 vs. Josephson C42 vs. Neumann KM184 vs. Miktek C5 In this shootout, we’ve put 4 SDC mics head to head in recording acoustic guitar. Both Joly and Williams have websites, but you have to contact Fouxman via email or track him down at a forum. The 4 SDC mics we picked for this blind shootout are among our favorites here at Sound … We’ve used all of these mics in a variety of applications all over the studio, so we knew we … In this installment of our drum overhead shootout series, we’ve rounded up 4 SDC mics that we feel very passionate about: the Miktek C5, the Schoeps CMC 6, the Neumann KM 184, and the Peluso P-84.All microphones were run through our Phoenix DRS8 mic pre, and into the first generation Apogee Symphony.. This mic was one of my favorites in the aforementioned FET SDC drum OH mic shootout, and has been my go-to neutral SDC ever since. Mike Jasper's Bigass SD Mic Shoot-out. SDC Microphone Shootout: CharterOak M900 vs. Josephson C42 vs. Neumann KM184 vs. Miktek C5 In this shootout, we've put 4 SDC mics head to head in recording acoustic guitar. The modernized version, the Neumann KM184, features a slightly different tone and response resulting in some engineers preferring one over the other depending on their recording application. (The ST44 is mine, purchased via Ebay after I learned that Sterling planned to discontinue the model.) Mike Jasper's Bigass Small Diaphragm Mic Shoot-out (continued) $300 or less SD mics. The last category is reserved for mic mods from the big three* -- Michael Joly of Oktavamod, Jim Williams of Audio Upgrades and Mark Fouxman at ribbonmic_at_comcast_dot_net (known as Marik on audio forums). For convenience, I divided the mics into price categories based on th e lowest qu otes f ound on the Internet, and I put the name and studio after the mic if it was supplied to me by one of the heroic souls who made this shootout possible. conducting the shootout. Adam and I would like to thank the teams at Mojave Audio, Telefunken Elektroakustik, Avantone Pro, Lauten Audio, and Chameleon Labs for the long-term loan of all these tube mics. I also recorded all these mics with Omni capsules in an AB array, with capsules 65'' above the floor, pointed straight down. Tube Mic Drum Overhead Shootout; matthew mcglynn.
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