Although a range of digital tools are available, Uelsmann feels that his traditional approach towards photography is intrinsically connected to the darkroom alchemy. Uesmann often photographs with this in mind, selecting specific objects with the intention of isolating and then combining them with additional negatives in the darkroom. Few artists have done more to explore the aesthetic, creative and technical boundaries of the photographic medium than Jerry Uelsmann. For Uelsmann the darkroom functions as a visual laboratory. To get his final product, he uses up to twelve enlargers at a time. Jerry Uelsmann: On the Fringes of Understanding Words: Richard Pitnick. Fabian & Claude Walter Galerie Rämistrasse 18 Uelsmann uses multiple negatives and enlargers to create a single unified image. In this era of facile digital sleight-of-hand, it can be easy to underestimate Uelsmann’s remarkable mastery of craft. Jerry Uelsmann’s photograph of a rooted house, which will also be on display at the exhibition, had inspired Jon Bon Jovi to the title song to his new album “This House Is Not for Sale” and is used as the record’s cover image. A master of darkroom alchemy, Jerry Uelsmann taught the art of fine photographic printing alongside Ansel Adams in the 1960s and 70s, He rebuffed the purist sensibilities and previsualization techniques popular in photography at the time, wanting his photographs to serve instead as symbols capable of eliciting emotions and reflective thinking. Photo manipulation started in the darkroom in the 1860s when searching for a heroic image of U.S. President Abraham Lincoln. Jerry Uelsmann has spent more than half a century addressing those questions — and going emphatically, if winkingly, as far along the inner-reality side as he can get. Jerry N. Uelsmann (born June 11, 1934) is an American photographer and was an early exponent of photomontage in the 20th century in America. Jerry N. Uelsmann Darkroom Surrealist 3 March – 29 April 2017. Jerry NUelsmann’s modern mindset helped to expand the boundaries of art in photography. "Jerry Uelsmann is said to be one of the few select group of artists who can be said to have altered the very language of their discipline. Jerry N. Uelsmann (born June 11, 1934) is an American photographer, and was the forerunner of photo montage in the 20th century in America. An unidentified artist appended the statesman's head to the body of John C. Calhoun.One of the modern American masters of darkroom manipulation is Jerry Uelsmann.
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