thank you! Spending the majority of my time in documentary film has forced me to consistently operate with as few as two lenses. That all changed when I returned to my narrative roots by adding reenactments into my documentary work. As a general rule of thumb, lenses going below 50mm starts to become wide angle. Composition Question. save hide report. 50% Upvoted. It is also about seeing the world from a consistent perspective. can you recommend me good films shot on 50mm~85mm lenses? share. It is well documented that Henri Cartier-Bresson spent his entire career shooting on a 50mm (on film, so close to … I think in reality, it’s possibly overshadowed by the two giants from the same era of Canon lenses: the 50mm f/1.2 and so called “dream lens” 50mm f/0.95. 3 comments. The three most important factors for the weight of a lens are speed, vignetting and the degree of optical correction. This focal length is pretty close to a 50mm on a full frame camera such as a 5d 1d etc or original 35mm film. 1: A “regular lens”: This is a 50mm still camera lens 2: A moderate wide angle lens: 24-35mm still camera lens 3: A moderate zoom lens: 80-200mm still camera lens. You get the er…picture. Thanks to a … Close • Posted by 1 hour ago. Apparently Hitchcock shot most of "Psycho" on a 50mm lens too. 50mm~85mm in super 35.. so like 80mm~135mm for full frames. I am a big fan of the 35mm lens on a Super 35mm chip camera. ABOUT 50mm This site is under construction – so please pardon my mess! The site is about 50mm lenses. You can read more about me […] It is an attempt to understand why I have fallen in and out of love with the focal length. The sharpness of these lenses are amazing. I forgot about Ozu and his 50mm lens, probably the most famous example of a single-focal length movie. The Shot on Film Store The legendary Canon 50mm 0.95 'dream lens' in absolutely beautiful condition. I usually found myself working with a 50mm prime and a zoom lens, preferably a Canon 70-200mm. The kit lens can be great but there's nothing quite like a good wide aperture prime lens. I’m not sure where I land with this one. The Canon 50mm f/1.4 ltm is a lens that doesn’t seem to quite have the following it deserves – or at least that’s what you’d guess by looking at their used value. 50mm~85mm in super 35.. so like 80mm~135mm for full frames. For many of us, a 50mm lens is the first "proper" lens that we ever bought. What on an iPhone would be a shot of stunning boredom with this film becomes a sensory feast. But the majority of the movies were shot on one lens. Composition Question. The lightest 50mm E-mount lens is the Sony FF 1.8/50 at 186g and the Samyang 1.8/45 is even lighter at 162g, while the heaviest lens, the Sigma Art 1.4/50, weighs 910g. A quick word on the 7Artisans 50mm 1.1. Extreme wide angle lenses would be 17mm or 14mm. I was tempted by the lower cost and super wide capabilities of this lens. We shot the film in six weeks, so quickly, with four players, and the inhabitants of Roubaix, this ruined city … 1.85 in 4K, we did not like the ratio of the focal (VS Scope 2.39). thank you! The 50mm prime on average allows an aperture around f/1.4 on a mid ranged price lens, f/1.8 on the cheaper ones and f/1.2 on the pro series.This allows for some seriously creative shots with a very shallow depth-of-field.
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