At the wide end, this lens is great for shooting landscapes. With its constant f/4 aperture, the Sony 10-18mm f/4 suffers a little in low light situations. As a prime, I expect it to be sharp, but the quality exceeded my expectations. Which lens will work best for you really depend on what you shoot. It just works so well for so many subjects! The 55mm is admittedly quite expensive at just shy of $1000 but if portraiture is your primary genre, it is worth every penny. The Sony 20mm f/2.8 straddles the line between a 50mm “normal” lens and wide angle, giving you the best of both worlds. The autofocus is fast but bear in mind that you will only be able to access the phase detection points (PDAF) in the centre when using the a6500. … To choose the best lens for you, you’ll need to consider what you’re going to be using it for, and then weight that against its features, price, size/weight, and over all performance. With an equivalent focal range of 83-315mm, it suits both sports and wildlife in good light conditions and comes with a fairly fast autofocus mechanism and magnesium alloy chassis to boot. (By contrast, we feel that the new FE 70-200mm f/2.8 is far too large and heavy to be suitable for the a6500.). Best lenses for vlogging for the a6500? Our favourite lens for the E-mount system is the FE 55mm f/1.8, a... 2. If you need even more reach than the 70-200mm, the next best option is the 70-300mm f/4.5-5.6. Video recording is also made easier with Touch Focus, and serious video users can make use of the S-Gamut/S-Log modes to produce footage with a wide dynamic range, perfect for colour-grading in the edit. If you’re doing a little of everything, the Sony 24mm f/1.8 is our top pick. The distortion is acceptable – it just creates a slightly different look than you would see from the full frame equivalent. It has a decent minimum focus distance of 30cm, a smooth and fast autofocus motor, and is small and light enough to use on any APS-C body. The a6500 is yet another exciting E-mount camera that promises to sell just as well as its predecessors. Focal Length: 16-70mm (equivalent to 24-105mm) Like some of the other options here, it has been designed primarily for the full-frame system but can also be used on the a6500 as a 135mm macro or portrait lens. Size (Diameter x Length):... 3. Offering the equivalent angle of view of 28.5mm in 35mm terms, it isn’t as wide as the other lenses in this section but is still perfectly suitable for landscape work. So, the best lens for vloggers is a wide angle lens, ideally in the 10-25mm range. Thank you! For that manual is provided in the box. "}},{"@type":"Question","name":"What Sony lens is best for portraits? There are so many options at different price points that it can be difficult to choose. No matter which way you look at it, Sony APS-C users have it tougher than users of other systems! Its maximum aperture isn’t as fast as other lenses in this section but it is good enough if you are just getting your toes wet with the portrait genre. So, the best lens for vloggers is a wide angle lens, ideally in the 10-25mm range. The barrel has nearly all the features a landscape photographer could desire: a focus ring, clicking aperture ring, and focus distance scale (though the markings are somewhat inaccurate). Focal Length: 16-70mm (equivalent to 24-105mm) Weight: 308g (10.9 oz.) Another feature is the compact design. The build quality of this lens is fairly decent. It is also the most competitively priced option at just under $300 new and even less second-hand. The autofocus is also fast and effective. It fits the bill for an inexpensive, fast prime lens, and should definitely be on the shopping list of all Sony a6500 owners. (There’s also a lesser known A-mount, made for Sony Translucent Mirror type camera bodies, but that won’t come into play here.). Focal Length: 50mm (equivalent to 75mm) Weight: 202g (7.1 oz.) The overall effect makes it seem like a backdrop is closer than it really is. The lack of optical stabilisation was a limit with the non-stablised a6000 and a6300 bodies but is no longer an issue thanks to the 5-axis sensor stabilisation of the a6500. However, at just under $500, it isn’t cheap. Also, the telephoto focal length of the Sony 50mm f/1.8 will create pleasing images that show proper proportions of faces in portraits. Still, for all intents and purposes the Sony 10-18mm f/4 is a fantastic zoom at a more than fair price. They’re also much more affordable. The sharpness from this zoom won’t match that of the 70-200mm or the 70-300mm but it is good enough for casual action photography, and it costs about a third of the price. Low, mod, and high priced! Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Talk to most photojournalists and they will tout the flexibility and utility of the 35mm focal length. Most videographers and vloggers will hold their cameras out in from of them via their arms, or attached to a mini tripod. Lens compression really aids in bringing backgrounds closer to the viewer. My subjects always came out in focus. There are two main types of lens for Sony ‘E-mount’ cameras: ‘FE’ and ‘E’ lenses. For a prime lens, this is rather frustrating. The Sony 35mm f/1.8 has a nice compact design that pairs well with the a6500. The focusing isn’t as fast or accurate as more recent lenses, but this matters less for landscape work. Size and weight wise, it balances perfectly on the a6500 and all other APS-C cameras. The autofocus works as expected and takes advantage of the overall strengths of the excellent a6500 AF system. My main complaint is that this lens isn’t the sharpest. It is the heaviest lens in this review, but the quality/flexibility are worth it. The only drawbacks of this lens are that it is slightly heavier and not as compact as some others. The build quality is pretty similar to the Sony 35mm f/1.8 – light and mostly plastic. What it lacks in sharpness, it makes up for in just how affordable this lens is, and its lightweight and compact design. Mounted on the compact body of the Sony a6500, this makes a superb travel combo. It covers a wide range of focal lengths and has a constant f/4 aperture. Depending on your requirements and preferences, some will be better suited to you than others. It is incredibly sharp through the aperture range, comes with fast aperture of f/1.8, is quick and silent to autofocus, and features a solid metal build. Another gorgeous portrait lens for the E-mount system is the full-frame Batis 85mm f/1.8 from Zeiss. It also protects it a bit from rain and snow when shooting in inclement weather. Its f/1.8 aperture allows you to shoot in low light and capture dark scenes. Together they make a great combo for dark shooting environments. One nice thing about investing in camera lenses, is that they tend to hold their value. The bokeh is smooth and consistent with some sharpness towards the middle of the frame.
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