Thanks! We’ve included all the lenses you will possibly need so pick them up and have fun. If you’re willing to trade range for brightness, then the Sony E 16-55mm f2.8 is a great option for those on a bigger budget. If a lightweight, compact lens with exceptional image quality is what you’re looking for, look no further than Sony’s 16-70mm lens. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! But if you're driven by Macro photography, you'll love the FE 90mm f2.8 Macro G OSS as it's one of the sharpest lenses in the catalogue.Check prices on the Sony FE 90mm f2.8 Macro at Amazon, B&H, Adorama, or Wex. Built-in Optical SteadyShot reduces camera shake, especially in low-light, close-up, and telephoto where camera shake can easily reduce image quality. Here’s a list of E-Mount fullframe and Super 35 cine lenses for video filmmakers and cinematographers using Sony E-mount mirrorless cameras, camcorders and video cameras. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Welcome to my Buyer’s Guide for Sony lenses! It was also the first wide-angle to standard zoom lens to achieve a large 1.8 aperture. Sony has two lens systems, one designed for its E-mount mirrorless cameras and the other for its older A-mount DSLR and SLT cameras. Telephoto lens: A telephoto lens has a long focal length with a narrow field of view to produce a magnified image. Here is a video filmed with the Sony 10-18mm Lens: The Rokinon FE14M-S 14mm F2.8 lens is an aspherical wide angle lens designed for full frame cameras, although it also works on APS-C sensors. The human eye is equivalent to 30mm to 50mm, whereas a telephoto lens — which brings far away objects up close — may be up to 500m whereas a wide angle lens can be around 10mm. While blogging and YouTube marketing are the future, a successful marketing campaign requires using video and audio mediums as effectively as possible. You can easily select one of four built-in filters by rotating the lens dial to choose Normal, 056 to accent Contrast in black-and-white videography, B12 to correct color and eliminate red tones, or A12 to eliminate blue tones. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best bang for the buck nowadays. Check prices on the Sony FE 90mm f2.8 Macro at Amazon, B&H, Adorama, or Wex. If you are looking for some help in deciding what your next lens or lenses should be you should check out this video where photographer/filmmaker Stefan Malloch showed off his five favorites. Check prices on the Sony E 24mm f1.8 ZA at Amazon, B&H, Adorama, or Wex. Check prices on the Sony E 10-18mm f4 at Amazon, B&H, or Adorama, or Wex. I’ll now move onto full-frame lenses, although remember all of them will also work on APSC bodies without an adapter, albeit again with a 1.5x field reduction. 1. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. Check prices on the Sony FE 85mm f1.8 at Amazon, B&H, Adorama, or Wex. The Best Sony DSLR & Mirrorless Lenses for 2020, The 10 Best Video Lens for Sony DSLR & Mirrorless Cameras in 2020, Sony Sonnar T* FE 55mm f/1.8 ZA [E-Mount, Full Frame], Rokinon 50mm F1.4 Lens [E-Mount, Full Frame], Sony 10-18mm Wide-Angle Zoom Lens [E-Mount, APS-C], Rokinon FE 14mm F2.8 Ultra Wide Fixed Lens [A-Mount, Full Frame], Sony 24-70mm f/4 Vario-Tessar T* FE OSS [E-Mount, Full Frame], Sigma 17-50mm f/2.8 Lens [A-Mount, APS-C], Sigma 18-35mm F/1.8 APS-C Lens [A-Mount, APS-C], Rokinon 35mm T1.5 Aspherical Cine Lens with De-Clicked Aperture [E-Mount, A-Mount, Full Frame], Sony FE 70-300mm F4.5-5.6 G OSS Lens [E-Mount, Full Frame], Sony SAL-16F28 16mm f/2.8 Fisheye Lens [A-Mount, Full Frame], The 13 Best Web and Conference Cameras for Video Interviews & Streaming in 2020, The 10 Best Fuji Lens for Shooting Video in 2020 (with Video Examples), Snapchat by the Numbers: Stats, Demographics & Fun Facts, TikTok by the Numbers: Stats, Demographics & Fun Facts, Pinterest by the Numbers: Stats, Demographics & Fun Facts, Facebook by the Numbers: Stats, Demographics & Fun Facts, Fixed lens with E-mount full frame, not zoomable, Minimum focus distance of 19-11/16 inches, Carl Zeiss T* coating reduces internal reflections for better contrast, Circular aperture for smooth, natural background bokeh effect, 50mm prime lens with Full Frame Sensor coverage, Ultra Multi-Coating (UMC) for improved light transmission, Internal Focusing design for non-rotating 77mm filter threads, Hybrid aspherical and aspherical lens elements reduce color aberrations, Circular aperture for more natural “bokeh” effect, Rubberized focusing ring for quiet focus control, Super wide angle zoom lens with 10-18mm focal length, Focal length equivalent to 15mm in 35mm cameras, Built-in Optical SteadyShot image stabilization, Circular aperture for smooth, natural defocusing, Aspherical lens elements to reduce aberrations, Reduces distortions, color aberrations, ghosting, and flares, Angle of view of 84 degrees to 34 degrees, Minimum aperture: F22; Maximum aperture: f/4, Circular aperture for more natural defocusing, ED glass improves color quality and reduces chromatic aberrations, Aspherical lens design reduces aberrations and reduces lens weight and size, Large aperture zoom lens optimized for Sony A-mount cameras, Hyper-Sonic Motor (HSM) for quiet high-speed auto focus, OP anti-shake feature for much slower shutter speeds, Sigma FLD glass elements to correct all types of aberrations, Super Multi-Layer coating reduces flare and ghosting, 18-35mm focal length,, or 27-52.5mm equivalent on APS-C cameras, F/1.8 maximum aperture; F16 minimum aperture, Ring-type ultrasonic AF motor with full-time manual focusing, Wide glass molded aspherical lens with SLD glass to reduce aberrations and curvature, De-clicked aperture to reduce noise for more specific manual settings, Follow focus compatible to focus and use aperture ring without interrupting video shoot, Full-frame 70-300mm G Series telephoto lens, 9-blade circular aperture for smooth background bokeh effect, 2x Extra-low Dispersion glass dramatically reduces aberration, Aspherical elements reduce spherical aberration, Optical SteadyShot for sharper images even at full telephoto zoom, Direct control buttons and switches on lens, Includes 4 built-in filters: A12, B12, 056, and Normal. This lens features T* coating for an improved optical design that suppresses internal lens reflections for greater contrast from highlights and deep blacks.
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