- The R84 and R84A are almost identical in sound. The, Warm, smooth and detailed classic ribbon sound, Full and rich tonality with generous highs and lows, Voiced like the legendary R44 Seriesbut with less proximity effect, Versatile for both close and ambient applications, Active R84A version has 12db level increase and is optimized for all preamps. JavaScript seems to be disabled in your browser. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. It’s basically an R84 with a built-in preamp. The R84A is an active version of the R84, allowing its use with a wider range of preamplifier YES, THERE’S A MATCHING PREAMP - Since the R84 is a passive ribbon microphone, the preamp is critical for optimum performance. Page 3 Wes Dooley. The R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand. For the best experience on our site, be sure to turn on Javascript in your browser. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications. Choosing a selection results in a full page refresh. The R84 and original RCA 44 (now our R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained. Phantom Power: The A840 needs 7 mA of P48 power. The R84A retains the same sonic character of the R84 but offers an additional 12dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp. This is great for on-the-road musicians who might have to use a different preamp each night. The R84A also possesses an 18-carrot, gold-plated grill. The store will not work correctly in the case when cookies are disabled. The active circuitry also prevents noise, interference on long cable runs or when operating near large lighting rigs. It’s the same requirement with all passive ribbon mics. working phantom power supply, there is actually little danger of damaging an R84 microphone with phantom power. Level changes with angle of incidence, but frequency response is consistent. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin. The active circuitry also prevents noise, interference on long cable runs or when operating near large lighting rigs. Microphones / Miking; By Hugh Robjohns. BIG SOUND IN COMPACT WAY - In 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. I've used it with great success on upright bass, acoustic guitar, electric guitar, piano, etc. Use left/right arrows to navigate the slideshow or swipe left/right if using a mobile device. A MODERN CLASSIC - The R84 is a staple in numerous recording studios because of its unique tonality and classic sound. The R84 and original RCA 44 (now the AEA R44C) share the same Big Ribbon element, transformer and other mechanical elements by design. “AEA’s classic R44 series and our neoclassic R84 / … music just sounds good through it." To guarantee consistent, full-range ribbon sound with the passive R84, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. When using even high-quality condensers with a DAW, you forget how good things can sound and end up settling for “really good” instead of “excellent.” A quality ribbon like the R84 can take a production to the next level, injecting some butter into a margarine world.” – Kevin Becka. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics. Recording Mag || “I used the R84 and the RPQ500 as the only microphone/preamp combo in a recent Folk session, with two vocal tracks, two acoustic guitars, hi-hat and brushed snare, shaker and kick drum, and it gelled the track together in a nice warm classic way. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. The R84 is the next mic I'm going to get, and since I'll be using it mostly for vocals I'm concerned that my SCA N72s have enough clean juice for them. Ribbon Microphone . However, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The R84A: An Active Version -  For those who cannot always have the right preamp available, AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. For the best experience on our site, be sure to turn on Javascript in your browser. AEA R84A Ribbon Microphone (Phantom-Powered). Phantom powered R84 with 12 dB more sensitivity ; Custom German toroidal transformer and JFET electronics ; Optimal for soft sound sources and classical recording ; Same award-winning sound as the passive R84 ; The Gold Standard R84 The R84 is a passive ribbon and does not want or need phantom power. WHICH MODEL IS FOR ME? The R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. The R84A requires standard 48-volt phantom power to operate the active circuitry. My alternatives are a Fethead, or just get the R84A, which works with phantom power but is more expensive than the R84. The choice between purchasing an R84 and R84A comes down to the decisions engineers make depending on where and how they use their ribbons. The DJV option gives it a silky top and a creamy bottom reminiscent of a vintage 47. Softcase, User Manual, Captive 10" (3 meter) Cable with XLR-3M Connector, AEA RPQ500 Microphone Preamplifier (500-Series), AEA A440 Ribbon Microphone (Phantom-Powered), AEA N22 Ribbon Microphone (Phantom-Powered), API TranZformer GT Guitar Pedal (Compressor EQ), API TranZformer LX Bass Pedal (Compressor EQ), Behringer Powerplay P16-D 16-Channel Distribution Module, Behringer Powerplay P16-I 16-Channel Input Module, Behringer Powerplay P16-M 16-Channel Digital Personal Mixer, Behringer Powerplay P16-MB Mounting Bracket for P16-M, SKB 1309 iSeries Case for Sony A7R IV Series - 3i-13096A74, SKB 1SKB-44PRO Rectangular Electric Bass Case, SKB 1SKB-61 Electric Guitar Case (SG Style), mic retains the same sonic character of the, The extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars.
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