I used the mic's proximity effect to our advantage to get a deep low-end while still picking up tons of detail in the mids while bowing. The N8 and R88 share the … Hallo und Herzlich Willkommen zu unserem Test. We have some audio clips comparing the N22 and N8 on electric guitar from the same distance (2 inches), right next to each other. As an Amazon Associate we earn from qualifying purchases. It added this beautiful movement to the transient response that really made the drums shine on these tracks. Aea n8 ribbon - Der absolute Testsieger unseres Teams. Hey, my name is Ryan Earnhardt from creativesoundlab.tv and sonicscoop.com, and today we’re bringing you a review of the AEA N8 ribbon microphones. tesa Extra Power Universal Gewebeband (Wetterfestes Reparaturband, 10 m x 50 mm), schwarz, 932575 tesa extra Power Perfect Gewebeband: Hochwertiges Reparaturband für vielfältige Klebelösungen im Außen- und Innenbereich - ideal zum Basteln, Verstärken, Reparieren und vieles … Positioning it overhead the snare by about 3 to 4 feet means it will capture all the drums and cymbals with clarity. They went through a Rascal Audio Two-V preamp and into a Chiswick Reach 20th Anniversary Edition compressor. When miking a drum set with the AEA N8 it works well as an overhead microphone. That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. The sound was absurdly sick with the Chiswick Reach on. I had the privilege to do this 200 times or so while on tour with The War on Drugs. The mics share identical electronics, but the difference in voicing, and thus placement, is achieved acoustically inside the mics, making for two tonally similar mics for two different applications. AEA tell us that this mic has an A few of AEA’s mic designs, such as the R84, tend to be based around more classic, vintage ribbon mics such as the RCA 44. I used Bartlett Spark and Fiddle mics and used the N8 farther out to supplement the close fiddle mic. The sound is decidedly folk in the classic sense. With the compressor in bypass, the room sound was delicately clear and natural. Active Ribbon Microphone . How do you get a $10,000 sounding mic without bankrupting your studio? The N8 also shares the N22’s ribbon dimensions, transformer, and active transformerless electronics. Published August 2015. We had a session recently where we were stacking overdubs of a cello and fiddle duo to achieve more of a section vibe. It sounds a lot like a classic ribbon mic with a little boost in the This is just for reference to hear the basic differences between these mics. Things can get hairy when you double the drums, so we went for a totally different sound. You may want to work with them in pairs, or alternatively AEA offer this mic in a stereo version, which is convenient for the likes of drum set overhead miking. No shit. Er konnte beim Aea n8 ribbon Test für sich entscheiden. We mic'ed the cymbals from underneath, positioning the mics' diaphragms parallel to the ground, figuring that what we sacrificed in tone was offset by what we gained in aesthetics, with no visible stands. I have two other ribbon mics, and have to say this is the cream of the crop. AEA have designed a pretty cool shock mount which attaches to the N8 to help keep down any unwanted noise in the off chance of movement. Both of them got the same devious look on their faces, and Wes said, "Take them!" Charlie Hall is easily one of my favorite drummers to mic. I liked the idea immediately. E-Mail an uns schicken. Anyhow, these guys came in for a week, and we made a great record. upgrade from your standard ribbon mic. It does not ping at all when flicking any part of the mic with your finger. Serge van der Voo dropped by to lend his skills and prowess. It turns out producer Chris Bathgate was having Anne do a run-through on vocals. Adam is a bona fide guitar hero, and his tone has a lot going on effects-wise — not to mention his volume tops out around 115 dB SPL! Well, inside a ribbon mic you quite literally have a strip of ribbon metal, usually aluminum, which works with the magnetic field to produce an alternating current or signal. We went through a few of Chris's favorite mics that he's loved on his voice, but as anyone will tell you, the female voice is very different. After 30 minutes or so, I lost patience and grabbed an N8 from the drums and put a pop filter 12'' in front of it. I love when a recording chain is so real it fools your senses. The openness of the N8 seemed to pull her voice through the signal chain in a really appealing way. Wir als Seitenbetreiber haben es uns zur Kernaufgabe gemacht, Produktvarianten unterschiedlichster Variante ausführlichst zu analysieren, dass Verbraucher unkompliziert den Aea n8 ribbon ausfindig machen … Both the N8 and N22 mics are a joy to use, and I'm privileged to have them. However, this ribbon mic, has a more basic and stripped-back, cylindrical design. Her dynamics are controlled and her delivery is very personal, without being overly emotive. The N8 shares the N22’s body and grille construction, although it has a black rather than silver finish. Both sport the world- class AEA craftsmanship and are insanely durable, as proven on tour. Typically, I would high-pass these at 150 Hz, and do nothing else. This enabled me to capture Charlie's intense dynamic and articulate badassery like I would have at home. I've been extremely fortunate because most all of these have turned into long-lasting friendships. AEA N8 Ribbon Microphone Jared Kalish recommended this mic when I told him I was looking for a versatile ribbon mic to help in my acoustic guitar vocal oriented productions in my project studio. Charlie Davis. We then moved to vocals. AEA describes this mic as being very open, natural sounding and with a lot of detail. ᐅᐅAea n8 ribbon: Die TOP Modelle im Test. There are legends in microphone technology, and there are legends in microphone technology. The bass tracks we recorded were the best I've ever documented. AEA N8 Ribbon Microphone Reviews. Die Betreiber dieses Portals begrüßen Sie zu Hause zum großen Produktvergleich. But given the innovative design of the shockmount included with the sE4400a, I can't help but get that out of the way... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. Ribbon mics are usually more expensive than many dynamic mics and require more care when using and transporting. When we made the switch to the N8s, we also swapped to N22s on two of Adam Granduciel's five amps. It has been designed for what AEA refer to as ‘far-field’ applications, as opposed to up close and personal miking. That said, when it comes to the enhanced top-end sound
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